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Showing 5 results for Hoda
Dr. Gholamreza Khoshfar, Mr. Mohsen Shayan, Mr. Mehdi Khodadad,
Volume 7, Issue 4 (4-2019)
Abstract
Abstract
Mrs Zahra Khodabakhshi, Dr Said Daii Karimzadeh,
Volume 11, Issue 1 (8-2022)
Abstract
The present study evaluates the economic and social factors in 15 MENA countries during 2010-2016. In this analysis, the canonical correlation method has been used to study the unemployment rate, inflation rate, GDP, internet speed, employment rate, literacy rate, crime, addiction rate, reproduction rate and life expectancy in Mena countries. The results show canonical correlation is significant between selected economic and social indicators in MENA countries in all canonical correlation functions. Special values for canonical functions are 3.33 and 0.1 for the Hotelling-Lawley Trace and the Wilks' Lambda tests, respectively. Also, the first canonical function fits 42%, the second 35% and the third 20% of the canon between economic and social indicators in Mena countries. The total fit of two first canonical functions is 77%. The equations of the standardized focal variables for economic and social indicators show in MENA countries, the higher the unemployment rate, the higher the rate of intentional crime. The increase in the unemployment rate is also affected by indicators such as the increase in inflation and the increase in the literacy rate.
Ms Neda Khodakaramian Gilan, Mohammad Javad Niazi, Mohsen Niazi,
Volume 11, Issue 1 (8-2022)
Abstract
Cultural goods and services are usable and useful objects or services that are produced and created by people from the society to satisfy the cultural needs of others and exchanged with the goods and services of others, whether cultural or non-cultural, in the process of exchange. This article has identified and analyzed the main factors affecting the purchase of cultural goods and services from structural-interpretive modeling. The research method in this article, due to the use of both qualitative and quantitative methods, the use of different research methods such as interviews with experts, questionnaires and document mining, is a part of mixed research. The current research is a descriptive survey in terms of practical purpose and data collection, and the tool for collecting information is a questionnaire. First, the factors affecting the purchase of cultural goods and services are identified based on the literature study and content and comparative analysis of related researches and interviews with experts and specialists, and then, using the new analytical methodology of structural-interpretive modeling (ISM), the relationships between the factors affecting the purchase of goods and services are identified. culturally determined and analyzed in an integrated manner; Finally, by using MICMAC analysis, the types of variables have been determined according to their influence and effectiveness on other variables; Based on this, 22 people from the scientific elite, including: university professors, elite students, doctoral graduates and doctoral students in the fields of sociology, psychology, educational sciences and management, were selected. The designed model contains 15 variables of leisure time, taste and taste, desire for differentiation, abundance of cultural goods and services, attractiveness, appropriateness of the price of goods, uniqueness, value, advertising and marketing, multimedia and quick and easy access. , politics, lifestyle and consumer culture, which are classified in five levels. The findings show that among these factors, leisure time, desire for distinction, taste, abundance of goods and cultural services in the market, uniqueness, getting information about the works of artists, attractiveness, appropriateness of the price are the most influential and motivating.
Mahboobehsadat Hoda, Dr. Mohammadtaghi Karamighahi, Dr. Khalil Mirzaei,
Volume 11, Issue 1 (8-2022)
Abstract
This descriptive and analytical research was done with the aim of discovering and identifying women's' strategies in the face of dominance of men. The main question is what women do against inequalities, gender discrimination and violence. The method of grounded theory and in-depth interview with semi-structured questions was the method and technique of data collection. The selection of 43 women with purposeful sampling and with emphasis on theoretical saturation led to their narration of strategies. The results show that due to the dominance of tradition and ideology and the legitimacy them through socialization in the patriarchal society, by induction of the marginal position of women in thought and action, sometimes their self- ignorance and forced silence is seen, which is a silent strategy and hegemonic subject. They accept the current situation, but with awareness of needs and interests and in protesting the existing situation and the need for change, women do strategies of corrective, independence, protest, punitive, liberation, elimination, defensive, offensive, awareness and preventive. They are reformed, independent, protesting, warning, forcing, dissuading, retaliating, attacking, teaching and cautious subjects. As a result, four strategies of coercive tolerance, correction, transformation and prevention were obtained.
Dr Neda Khodakaramian Gilan, Mohamadreza Heshmati, Asadollah Babaeifard,
Volume 12, Issue 2 (11-2023)
Abstract
This research investigates the semiotic analysis of the structure of religiosity in the two films "Range Khoda" and "Gadamgah". Cinema, as a powerful medium, plays a key role in the representation and reproduction of religious discourses. The aim of this study is to examine the rules, structures and religious patterns in these two films. A qualitative research method with a semiotics approach has been chosen and the visual signs present in the films have been analyzed. This research examines the role of religion in Iranian society and how it is represented in these two works. The findings show that both films contain a rich set of technical, social and ideological codes. The semiotic analysis of the films reveals that both works have extensively used religious signs to convey their messages. For example, these films present an image of religion as a source of peace, hope and meaning in life in a traditional society. Religious characters in these films are portrayed as spiritual and moral leaders of the community and the identity and meaning of the film characters are shaped through religion. In contrast, wealthy and powerful characters are less inclined to religion, while poor and marginalized characters are more likely to seek refuge in religion. Additionally, women in these films are often portrayed in traditional and obedient roles.
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