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Showing 3 results for Cinema
Dr Mehri Bahar, Nousha Dabirimehr,
Volume 6, Issue 3 (2-2018)
Abstract
this article
studies the use of cultural spaces in Tehran. Cultural spaces in Tehran have seen changes in parallel with other city spaces over the past two decades that
In this paper, we tried to address the features of the new spaces.These changes are physical, content and functional.The two campuses of cinematic Azadi and Mellat are the subject of this study.This research is in a qualitative way and by Using the two tools of interview and observation.
In the same vein, Henry Lefebvre's French philosopher and sociologist (1901-1991) have been used to analyze the findings.
Farnaz Sarbandi, Seyed Reza Salehi Amiri,
Volume 9, Issue 3 (12-2020)
Abstract
evaluation is one of the important levels of policymaking and scientific evaluation needs the related indicators. So the main goal of this article is compiling indicators for cinema economics in Iran. The used method is applied and analysis of second data. for compiling indicators documentary method is used and all indicators were collected from Iranian and other studies. the result list was sent to the experts (by snowball method). finally Iran's cinema economics is analyzed by second data. interview and calculating are used for some data lacking. the results show cinema economics was not so successful in last decades. cinema income was in growing process but it was for inflation of ticket price and cinema goers was in reducing manner (in spite of late years decrease). therefore cinema GDP is very insignificant. occupation opportunities in cinema is depend to producing and cinemas
Javad Sagha, Abdolreza Salmani Shah Mohammadi, Mahnaz Ronaghi,
Volume 10, Issue 2 (11-2021)
Abstract
Going to the cinema is one of the needs of the blind population of Iran. Due to the limitations of the blind, these people use this cultural opportunity in a limited way and with special conditions. The purpose of this study is to understand the meanings of the lived experience of the blind from the cinema. To interpret the experience, Van Menen's Method of interpretive phenomenology was used. Targeted and snowball sampling was performed with semi-structured interviews until theoretical data saturation. Finally, the lived experience of 25 congenitally blind people who go to cinema was analyzed. Data collection tools are observation and interview. Findings of the study includes 5 themes, watching a movie, multidimensional pleasure, screaming, making a dream come true and taking a step forward. Sofar no qualitative research has been done on the blind of the cinema audience and their lived experience in an interpretive way. The results of the research show that the ritual of going to the cinema can be a step towards realizing the dream of the blind in equipping ordinary cinemas; they feel like they belong and enjoy this solidarity. But the life description, along with the release of the film as an unusual method, causes many problems in conveying the meaning of the images to the blind. Filmmakers have no knowledge of the principles of description and have not been trained. Participants also called for cinemas to be equipped with sound systems for the blind and to achieve the goals of the inclusive community.
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