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Showing 3 results for Representation
Sahar Nikmaram, Dr Masod Kousari, Dr Ali Asghar Pourezzat, Dr Ahmad Naderi,
Volume 5, Issue 3 (2-2017)
Abstract
It is attempted to examine how to construction reality of ethics in Ashura ritual representation in television series, in this paper. For this occasion, it is selected Yalda and Shabe Dahom series among popular religious series of recent years for semiotic analysis randomly, as well as, 31 audiences among the general TV audiences for an interview based on purposive sampling, to obtain the paper purpose. The results of semiotic analysis showed that in both series utilization of technical codes and the form to represent moral dimensions of Karbala event have been alike and limited and somewhat superficial. Both series with only focusing on one of the Muharram rituals symbolic actions (passion play reading) begin to transfer a small part of the broad concepts of morality lies in this event. Accordingly, the ethical dimension represented in the two series consisting of jealousy, sacrifice, courage, cooperation and struggle with carnal desires. Also, the results of audience reception analysis showed that although some audience groups acknowledge moral messages of represented scenes, but understanding of these classes are also based on the overall content of the story but not related scenes of rites representation.
Seyed Ghasem Hasani,
Volume 7, Issue 2 (11-2018)
Abstract
All cultures in a variety of ways, according to historical experiences, worldviews and religious, religious, and other factors within their culture, form specific content for folk beliefs in relation to everything their around. These beliefs can be about heaven, earth, nature, animals, death, the life of plants and humans. One of the folk beliefs that human beings have shaped during its cultural history are stereotypes about the gender of men and women. Because human history was based on patriarchal structure in most cultures, male or female gender beliefs or stereotypes usually tend to be more in direct women. Of course, there are differences between cultures about the forms of representation of folk beliefs towards women. Folk representations are in fact language games expressed in sentences, stories, proverbs, and so on. This paper tries to explain and analyze the representation of folk beliefs about the representation of gender based on the qualitative method of collecting popular beliefs and quantitative methods in the attitude toward informal believes among the students of Mazandaran University
Dr Mohammed Hussain Sarai, Dr Rrza Ahmadi,
Volume 12, Issue 1 (7-2023)
Abstract
As a representation, landscape is a particular way of seeing. landscape is not only an ideology, but a visual ideology and a power relation. The purpose of this article is to investigate how to use billboards and visual memorials to present the desired discourses and imagery of local governance in the urban landscape of Dezful. To achieve this goal, all the billboards and visual memorials of the city are studied in a semiotic and representational way. Then the studied cases in terms of imagery patterns were studied and the characteristics of each of them were examined to get a clear picture of the semiotic landscape and representative designs of the city of Dezful. The results of this research show that with the start of the war and considering the damage done to the city, the local government felt the need for a new image related to the role of Dezful in the war. After the war, imagery related to the clergy enters the urban landscape in a new and completely contextual way. After several decades of dominance of these two discourses, with the emergence of new necessities, emerging discourses such as cross-border resistance and historical also entered the urban landscape of Dezful. In this context, cities like Dezful engage in a kind of political-ideological marketing to show their role in the ruling discourse and its key events in a more important and key way.
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